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The letter is on its way.

You found it.

Your copy of the Prologue Letter is already in your inbox. It’ll be there when you’re ready.

But Riz started writing before she arrived. And you can start reading right now.

Prologue  ·  Free

This is where it starts.

Dear B,

I am either having a panic attack or an epiphany and I genuinely cannot tell which. (The symptoms, B, are identical.)

I need to think out loud. You’re the only person I can do that with right now — you’ll stay with me while I follow the thread, and you won’t try to fix it or skip ahead to the moral.

So. Here’s the thread.

You already know I got the grant. Excuse me — “the honor of being selected as an esteemed resident fellow of the Thornwood Foundation.” I have you to thank for this. I never would have applied without your persistent, what’s-the-worst-that-could-happen coaxing. So I’m enclosing the grant award letter because, B, feel that paper. Feel the weight of it. That is not academic grant stationery. That is high-society wedding invitation stock. I half-expected a wax seal and a horse.

Honestly, I didn’t think anything would come of it. It’s not like I planned and struggled over the application (the way I do with everything else — yes, B. Thank you for reminding me.) It feels like this dropped out of the sky into my lap — almost literally. I still can’t remember how I even learned about the fellowship, much less how the application materials found me. There’s no trail in my search history, nothing in my email. And when was the last time you saw a real paper grant application that required you complete it by hand, with a wet signature, and submit it by snail mail?

Other than it being a world-class excuse to avoid my dissertation, and your ongoing insistence that one should never offend the Great Unknown, I am not entirely sure why I actually applied. My life plan did not include a four-month residency at a private estate in North Carolina. You know I don’t make major decisions without compiling the right amount of data, weighing pros and cons, color-coding the spreadsheet, and then lying on the floor at 2 a.m. rethinking the entire thing.

That is not spiraling, B. That is applied neurosis. It’s a highly calibrated system.

But Thornwood is breaking my system. Because there are no data. The estate is a digital ghost. No social media presence, no lists of past fellows, not a single photograph. There is only a shell of a website for the Thornwood Foundation. I printed their one ‘About’ page so you can see I’m not exaggerating — it reads like a particularly unhelpful haiku.

How am I supposed to know what I’m walking into? I’m not saying I require a full topographical map (though if you happen upon one, do send it immediately), but an actual address would be nice. The acceptance letter only gives a P.O. Box. They say a physical address and driving directions will be provided only after I sign the grant documents and an NDA.

Well. You know me. I had to dig.

I found just one obscure registry filing in North Carolina for a “Thornwood Winery” in a valley in the western part of the state. There was a physical address, so I followed the rabbit down the hole, which led me to Google Earth.

This winery, B — it too wants to hide, apparently. The satellite image is smudged.

I don’t mean pixelated, like a military installation or a power grid. I mean blurred. It looks like someone dragged a damp thumb directly across the lens right over hundreds of acres of one specific valley. The state highway is perfectly sharp on either side, but the moment the terrain dips into the valley where this winery is supposedly located, the image just… dissolves.

I know this place might have absolutely nothing to do with the Thornwood Estate or the Foundation. It’s a winery. In a valley. I am aware that I am building a conspiracy theory on a registry filing and a smudge. I told myself it was a satellite rendering glitch. Atmospheric interference. A smear on the sensor. Perfectly rational explanations, all of them. But I opened the historical imagery tool and pulled the timeline back. Two years ago. Smudged. Five years ago. Smudged. Mid-90s. Smudged. Late 80s. Yep — smudged. Every satellite pass I looked at showed the exact same gray blur resting right over that valley, while the rest of the mountain is razor sharp.

I would like the record to show that I said hmm out loud to no one, closed the laptop, and went and made a cup of tea like a normal, well-adjusted person.

— · · · —

And then there was the phone interview.

I assumed I’d be defending my doctoral work to a panel of very serious entomologists who’d want to discuss my methodology, my publication timeline, and why I’d proposed using wild specimens instead of the usual lab strains. I was ready.

Instead, it was a six-minute call with one woman from the foundation. She spoke in this perfectly modulated, boardroom-smooth voice — the kind that made me suddenly aware I was wearing different colored socks and may have forgotten to brush my hair.

She didn’t ask about my CV. She didn’t ask about my behavioral assays, or my sample sizes, or whether my research had clinical applications. She asked questions that sounded like they were part of a psych profile, or maybe a philosophical séance.

For example, she asked what I’d do if my instruments read null but my body told me the environment had shifted, and how I would log those data. I totally stammered. I said something incoherent about physiological baselines and subjective notation, tripping over every other word, wishing I’d prepared for whatever this was.

This is what she asked next, word for word:

“The estate is very old, Dr. Holloway. Are you capable of working in a space that declines to be managed?”

I should have taken a breath. I should have asked her to clarify. I should have given a careful, credentialed, appropriately hedged response that signaled I was a serious scientist who understood the assignment.

Instead, without missing a beat, I said,

“Management is observation that lost its patience. I can listen.”


· · ·


She found out if that was the right answer.
So did you.

Check your spam folder if you don’t see it within a few minutes.
It’ll be worth the look.

When you’re ready for more

The Prologue Letter is the beginning.

Season One unfolds across twelve letters, arriving once a month through the seasons — each one on real paper, in a real envelope, in your actual mailbox.

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